玛丽(珍妮弗·琼斯 Jennifer Jones 饰)在意大利度假时邂逅了名为乔班尼(蒙哥马利·克利夫特 Montgomery Clift 饰)的男子,两人之间相互吸引,很快就走到了一起,相互陪伴度过了快乐的两天。然而,快乐的日子都是短暂的,玛丽即将离开意大利前往巴黎,乔班尼劝说玛丽留下来,留在他的身边,可是固执的玛丽却去意已决,这让乔班尼非常的愤怒,他失手打了玛丽。
悲伤的玛丽准备搭上前往巴黎的火车,就在火车快要开动的时候,乔班尼出现了,他不顾危险穿越轨道来到玛丽的身边,他的举动感动了玛丽,两人重修旧好。虽然错过了这一班火车,但下一班火车很快就来了,留给两人的时间越来越短了。
Liz and her daughter Amy move to Hamelin where a dark secret in Liz's past is uncovered by the restless spirit of the Pied Piper, who seeks out those who have gotten away with a crime, and punishes them by taking away their children.
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Two great friends are reunited after five years. Among so many things that have changed, the resumption of connection awakens an old feeling for which they remain unprepared.