鲍勃(洛克•哈德森 Rock Hudson 饰)是一个整日里游手好闲的花花公子。一次搭乘潜艇出海是,鲍勃遭遇了海难,警方带来了镇上的唯一一个人工呼吸器,救了鲍勃一名。但医院院长菲利普却在同时病发,因为没有呼吸器而死去了。得知 了这一消息,鲍勃感到十分内疚,他决定倾其所有来帮助菲利普的遗孀海伦(简•怀曼 Jane Wyman 饰)。
然而,菲利普的好意却意外的令海伦双目失明。鲍勃隐姓埋名陪伴在失明的海伦的身边,在不知道鲍勃的真实身份的情况下,海伦对鲍勃渐渐产生了好感。最终,鲍勃表明了身份希望海伦能够嫁给他,在得知了一切的真相后,海伦选择了离开。
Liz and her daughter Amy move to Hamelin where a dark secret in Liz's past is uncovered by the restless spirit of the Pied Piper, who seeks out those who have gotten away with a crime, and punishes them by taking away their children.
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Two great friends are reunited after five years. Among so many things that have changed, the resumption of connection awakens an old feeling for which they remain unprepared.