Ellen Foster(Betsy Drake 饰)在拜访姑妈的路上认识了建筑师Jeff Cohalan(Robert Young 饰),在与对方交往的过程中,她得知Jeff自从去年失去未婚妻后,性格就变得阴晴莫测,时而和颜悦色,时而冷漠阴郁,但最令她感到奇怪的是,他如同被厄运缠身般不断碰到各种坏事,先是身边种种心爱之物遭到破坏,接着工作上也不断出现差错,认为这些事情绝非偶然的Ellen在经过一系列调查后,发现基本每一件坏事其实都是人为所致,正在她好奇谁是凶手之时,Jeff的医生好友突然告诉她,Jeff极有可能已经患了妄想症,继续靠近Jeff她将面临生命危险。
Liz and her daughter Amy move to Hamelin where a dark secret in Liz's past is uncovered by the restless spirit of the Pied Piper, who seeks out those who have gotten away with a crime, and punishes them by taking away their children.
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Two great friends are reunited after five years. Among so many things that have changed, the resumption of connection awakens an old feeling for which they remain unprepared.