亨利(加里·格兰特 Cary Grant 饰)是一名英俊帅气的法国军官,在前线,他结识了前来应援的美国陆军妇女队军官凯瑟琳(安·谢里登 Ann Sheridan 饰),尽管两人之间的交流经常伴随着吵吵闹闹,但随着时间的推移,亦产生了真挚而奇妙的感情。
战争结束后,亨利决定跟随凯瑟琳前往美国,结婚并开始幸福的生活,然而此时,一个难题却摆在了他们的面前,那就是亨利并不能取得美国的合法居留权。为了解决这个问题,亨利和凯瑟琳想了一个损招,那就是让亨利打扮成妇女队的军官,混进美国。让两人没有想到的是,这个看似完美的计划执行起来却遭到了诸多变故,他们能够获得最终的“胜利”吗?
Liz and her daughter Amy move to Hamelin where a dark secret in Liz's past is uncovered by the restless spirit of the Pied Piper, who seeks out those who have gotten away with a crime, and punishes them by taking away their children.
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Two great friends are reunited after five years. Among so many things that have changed, the resumption of connection awakens an old feeling for which they remain unprepared.