这是一部让人心动的电影,青春、友情、亲情、爱情……辛辣且甜中带苦。十四岁的丹妮与她的姐姐总是分享任何东西,但是当爱情来临的时候,同样渴望爱与被爱的姐妹成为对手。在经历了感情的甜蜜与痛苦之后,姐妹俩获得了人生的经验,明白了爱的生活哲理。
Robert Mulligan's graceful coming-of-age drama, set in rural Louisiana in 1957, explores the relationship change two sisters exp……
Liz and her daughter Amy move to Hamelin where a dark secret in Liz's past is uncovered by the restless spirit of the Pied Piper, who seeks out those who have gotten away with a crime, and punishes them by taking away their children.
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
Two great friends are reunited after five years. Among so many things that have changed, the resumption of connection awakens an old feeling for which they remain unprepared.