1960年的夏天,社会学家埃德加·莫兰和让·鲁什对巴黎年轻人的日常生活进行调查,了解他们对幸福的理解。这部论述电影连续几个月跟踪调查的进行,也记录了主人公们的变化。调查中被采访的人最后在影片第一次放映的时候聚集在一起观看进行讨论,有人的赞同,有的人驳斥。两位导演通过这部真实电影,经历了既极具挑战又充满乐趣的体验。
"In the summer of 1960, Jean Rouch and Edgar Morin investigated the everyday life of people living in Paris. ""Are you happy? How do you live?"" These are some of questions they asked young people on the street in an attempt to understand their idea of happiness.
From manual labourers, students, to a couple of office workers, the different protagonists reveal themselves in conversation, unconcerned about the presence of the camera. With no script, and no professional actors, this film sets out to frame the limits of cinematographic truth."
1961 戛纳国际电影节 国际影评人奖
For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.
“People have a tendency to move on,” says Lynsey Addario. “It’s my job to get people to continue paying attention.” Love War profiles the Pulitzer Prize–winning photojournalist as she risks her life for that mission. We follow her on several trips to Ukraine in recent years and trace her past two decades in the war zones of Afghanistan, Iraq, Sierra Leone, and Libya — where she...
Lileko, the tree of authenticity, which has borne many names, observes the unfolding of human greed. This film-essay from the Democratic Republic of Congo is divided into three parts. Three voices, each in their own time, seem to share the narration, reco