The doc is 500 Days in the Wild, which will launch in the fall. It follows filmmaker Whelan, who ecorded a solo self-recorded journey travelling across Canada in 2015 after feeling disillusioned with the state of the world.
Lobuin, Vanesa and Soma are three women from very different parts of the world who face the same problem: climate change. They will lose everything because of the effects of global warming and they will be forced to emigrate to survive.
As Russia launches its full-scale invasion of Ukraine, primary schools across Russia’s hinterlands are transformed into recruitment stages for the war. Facing the ethical dilemma of working in a system defined by propaganda and violence, a brave teacher goes undercover to film what’s really happening in his own school. In his hometown in the Ural Mountains, fun-loving Pasha wor...
A love triangle of jealousy in the Parisian art scene of the 1930s is brought to life in a stylish docufiction about iconic artist and architect Eileen Gray, who built her modernist dream house on the Riviera, only to be upstaged by Le Corbusier.
Eileen Gray had a truly eminent sense of design. The Irish artist and architect created some of the most iconic furniture of the 20th century, so when she focussed her unique artistic vision on developing a house for herself on the Riviera in 1929, the result was a modernist triumph. A house and a work of art in one, overlooking the sun-sparkled infinity of the Mediterranean. The house is named E.1027, a cryptic contraction of the names of Gray and her lover, Romanian architect Jean Badovici. But when the Swiss-French star architect Le Corbusier learns of the house, he becomes obsessed – perhaps because Gray breathes light, air and soul into her building, which is not just a machine to live in. ‘E.1027 – Eileen Gray and the House by the Sea’ reconstructs the dramatic story of Gray and the house that Le Corbusier amazingly managed to convince the world he had built himself. A stunningly beautiful and cinematic docufiction where the inspiration from Gray is present in lines, colours and shapes – but where they serve the narrative of a brilliant female artist who spent a long life in the shadow of her male colleagues.